Geoblogging: Mapping photos

I live for this stuff. Someone mashed together Google Maps, Flickr, Firefox, and Greasemonkey to make it incredibly easy to show exactly where a photo was taken.

Here’s an example. Click on the photo below to go to the photo’s page on flickr.com. On that page, click on the hyperlink “GeoTagged” below the photo. It’ll take you to the geoblogger.com site and show you on a map the exact location where it was taken.

Shinjuku Station

If you’re willing to click one more time, click on the “satellite” link in the top right corner of the map to see the location on a satellite photo of Tokyo. Zoom all the way in and you’ll see Shinjuku Station.

This is so simple to do that I’ll definitely be tagging the photos that accompany soundseeing tours. If you have flickr account and are somewhat technically savvy, instructions are here.

Being attention deficient is a good personality trait for podcasters, isn’t it? (Except when having to edit hours and hours of audio.)

Apparently there’s also a way to import the data into Google Earth, but I’ll leave that for another day. It’s a great app to play with if you have a powerful enough PC and video card.

Here’s a fun activity: Learn how to zoom in on your house starting from all the way out in space. If you’re ever abducted and you manage to comandeer an alien dingy to make your escape, this skill surely will come in handy.

Meal Ticket

I know I promised that my next work of art would be a podcast. Hey, I lied. I can’t help it — videos are just so frikkin’ easy to make! Post-production is simply connecting the Clie to my PC via USB and doing a cut & past job in QuickTime Pro. I save it as a self-contained hinted movie with MP4 video and audio encoding.

Well, I was in Shibuya a few nights ago after work to buy a wide angle lens so I can shoot panoramas. I didn’t have my mics, but I did have my Sony Clie PEG-NX70V, which as you can see I’m really starting to enjoy using as a video camera. Even with plenty of other data on the 128MB Memory Stick (text articles off the web, e-books, WAV files from the voice recorder, Atok for handwriting recognition in Japanese, etc.) I still have enough room for about 40 minutes of video. Granted, it’s only 160 X 112 pixels big, but it doesn’t look bad at all when viewed at double size, does it?

So I decided to do a wee little videocast of a Japanese style fast food restaurant. This is really mundane stuff to me, but I know there will be lots of people diggin’ it because it’s different and it’s a glimpse into the daily life here. I like that I can whip out my mics or camera practically anywhere and just start talking. It took a while to build up the guts, but I’m completely over the self-consciousness now!

OK, the next one will be a podcast, I promise.

VIDEO (10.3 MB)

HFJ Album art

I’m working with a friend to put together some album art to attach to the MP3 files. Here are my favorite rough drafts so far:

If anyone would like to play with us, the photos I take will be kept here.

Back in the 80’s when Late Nite with David Letterman would cut to a commercial, they’d transition with a photograph of the Late Nite logo printed somewhere it shouldn’t be, like the lid of a pizza box or on the side of a police car. I loved those photos. I’d stay up just to see them. So that’s the kind of thing I want to do with this show’s album art. It also gives me an excuse to take photos. Before coming to Japan, I used to be really into photography. Here are a few of my favorite photos I took in Ecuador when I was 17-18 years old.

OK, so forget BitTorrent.

It seems like the commonflicks.org experiment didn’t turn out so well. After an entire day of downloading, my download is stuck at 83% complete. Bah.

Thanks to a tip from Flynn, the Disney Sea videocast (videoblog, inkernet home movie, whatever) is now available at ourmedia.org. BitTorrent client? You don’t need no stinkin’ BitTorrent client.

I’d like to attach the video to the RSS feed so ya’ll who are subscribed will get it, but I suspect that might not be a good idea, considering it’s a 63MB file.

The next piece of media I let loose into the wild will be a podcast.

Podcaster’s Block

If I were a writer, I’d have writer’s block. And frankly, the reason why I started podcasting is because I wanted to confront the thing inside me that causes it.

Everyone has a part inside them that’s broken, and if they were able to fix it, they’d end up becoming a better person. But to fix a broken part, first you have to open the thing that’s not working right, dig around, identify the part, take it out, turn it around in your hands, maybe wiggle it a little, hold it up to the light, and try to come up with the best way to go about fixing it. After that comes the hard part–actually doing the work that needs to be done.

Many people like to keep their broken parts hidden. Or perhaps it’s better to say that they like to believe that nobody–even themselves–can see it. But what I’ve discovered is that the more painful the experience, the more valuable the lesson. And if I can share what I’ve learned with others, then no matter how difficult, painful or trying the experience was, not only was it worth it, but I end up feeling truly grateful that it happened. Even if I wouldn’t wish the same experience on my worst enemy. In fact, if you can see yourself as a student instead of a victim, your worst experiences and enemies can be your greatest teachers. (That is, as long as they don’t kill you.)

By podcasting, I’m confronting my greatest fears. Failure. Success. Criticism. Praise. Attention. Anonymity. Everything. Nothing at all. And simply by admitting that here, I’m taking away some of the power those fears have over me and lending it to myself. Which is funny, really, because the fear is me and the courage is me also.

In a way, I’m doing this for everyone who wants to podcast but is too afraid. The way I figure, one of us had to take the first step.

This morning, after waking up and feeling bad for not having put together a podcast last night, I finally arrived at the point where I really, really wanted to give up. I felt like I had failed so completely and let everyone down so much that there was no way I could recover the confidence and credibility I once had. Feeling that way is a good thing. Next step is to acknowledge those feelings of fear and failure, then go ahead and do it anyway. After that, I’ll be able to look back and compare the fear and the accomplishment side by side, and realize that the fear seemed so big only because I was looking at it from so close up.

I’ll probably go through all this again. Progress hardly ever follows a perfectly straight path. Two or three steps forward and one step back still means you’re covering ground. The thing you have to remind yourself is that anyone who’s supposedly rooting for you–your friends, your family, those in peanut gallery, the voice inside your head–if any of them tries to make you feel bad for making a misstep, they haven’t yet learned to appreciate the wonderful things that failure and fear are able to teach. As you keep moving forward, leave them behind you. Maybe someday they’ll catch up to you, maybe not.

But you know what my real problem is? I tend to take shit waaaay too seriously.

I know, I know.

Forgive me listeners, for I have sinned. It has been a month since my last podcast.

I will get one out this week, I promise. Even if it’s just me making fart noises by cupping my armpit.

Don’t let anyone tell you that editing hours of audio isn’t a bitch. I either have to learn to enjoy it or find a good way to organize raw audio files. Maybe I need to get into the habit of making shorter files when recording.

More panoramas coming soon

The second I woke up this morning I had a blinding flash of inspiration. I created a makeshift monopod for my Sony Clie PEG-NX70V using a Swiss army knife, a long piece of dental floss and the clip from a broken Mickey Mouse keitai strap. (I really wanted to use duct tape to make it an official McGiver hack but couldn’t figure out how to fit it into the equation.)

Here’s the entire process. The clip attaches to the Clie right under the camera, the floss is tied to the clip and the Swiss army knife acts as a plumb bob so the Clie’s video camera stays relatively the same height and location. I shoot a video of everywhere from top to bottom, 360 degrees around, while trying to keep the camera’s lens rotating around the same point in space. The MPEG gets imported into the PC where I delete the crappy parts with QuickTime. Then I export one or two frames per second as JPEGs — about 150-400 images in all. Those get fed into AutoStitch, which theoretically should piece them all together into one image. When the image is viewed with the PTviewer Java applet, it should look fairly good, although relatively low res since the Clie’s video camera only does 160 X 120. Maybe I should try taking stills at 640 X 480.

There are lots of autostitched photos in flickr under the tags autostitch and composite. And beautiful QuickTime panoramas from around the world (along with the moon and Mars) at panoramas.dk.