(February 7, 2006, Part II.)
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(I’m going through all my old video tapes this weekend.)
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As far as a 500 yen can of air goes, there’s not a whole lot you can do with it that’s interesting. But there you have it.
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In 2005, Stephen Wiltshire, an autistic British artist, toured Tokyo by foot, bus and helicopter, then drew the entire city from memory. (Like Motoki, at age three he still wasn’t talking.) You can see the entire panorama here.
I watched the YouTube video with the volume off. From the comments it sounds like the voiceover is pretty bad.
When | Tuesday, December 4, 2007, 7 – 10pm |
Where | The Pink Cow, Shibuya (www.thepinkcow.com) |
Language | English |
Cost | 2,000 yen (Includes light buffet and chance to win one of 2 Xacti digital video cameras) |
Andrew Shuttleworth, an Irishman who knows absolutely everyone in Tokyo (and I’m not exaggerating), is hosting this event in conjunction with Sanyo. Yukako “Tajee” Tajima, a bilingual video blogging major babe and businesswoman, will be giving a presentation on ways to put videos online.
I’m hoping it won’t be well attended because they’re giving away two Xacti digital video cameras and dammit, I want one. The fewer people who show up, the better my chances of winning the lottery. So stay home that night.
Last Friday at the BlogNation Japan shindig, I recorded some interviews with a few of the attendees. As I held the microphone in front of them and listened through my headphones, I kept thinking, “Wow, how am I ever going to be able to chop this up and rearrange it into a coherent story?” But the truth is, every time I start a new project, the same kind of fear and doubt run through my mind. It’s called “anxiety.” I feel it almost all the time, unless I’m doing something that I have 100% confidence in. (Those things include teaching, training, and troubleshooting PCs.)
The way I’m learning to come to terms with anxiety is to ask myself, “Well, if it all goes to hell, what’s the absolute worst thing that can happen, and how will I deal with it?”
If my attempt at creating a professional-sounding audio program to the best of my ability ends up sounding like a junior high school social studies project, I won’t lose any money, friends, or respect from others. I won’t fall over dead of humiliation. The time I spend on it won’t be wasted, because I’ll learn from it. And I’ll do it again on another topic; I’ll keep at it until I improve.
I realize I’m expecting myself to hit it out of the ballpark my first time at bat. I have a life-long tendency to expect too much out of myself, and it prevents me from starting or finishing challenges unless I force myself, kicking and screaming all the way. That’s the main reason why I’m here, blogging, podcasting and videoblogging. Because it scares the bejesus out of me if I let it.
I admire people (like my boss) who can jump into something new without any experience or a detailed plan and risk failure, so all this online stuff is my attempt at becoming more like them. It has never been easy, even after two years of constant practice. Core beliefs don’t change easily, even if on an intellectual level you know they’re false.
Right after I write a post, create a video or release a podcast, that voice tells me, “You’re not good enough.” But lately, something different is happening. I’ve been sampling bits of my old blog posts and podcasts that I have no recollection of creating and they seem like they’re from someone else. And you know what? They’re interesting, and often funny. When enough time passes that I can separate the critical, perfectionist “me” from the creative me, I can actually enjoy my own work. Maybe if I keep reading and listening to my past, I’ll finally catch up to the present and finally be at peace with myself.
In a nutshell, I think I’m OK. But just to be on the safe side, I’m going to get completely drunk tonight at the BlogNation Japan shindig tonight and repeatedly vomit in my backpack on the train ride home. (I’ll be sure to wear my binaural mics.)
P.S. Rockstar Mommy is a funny, funny blog written by a woman who, if there are more like her out there, I just might grind my family into hamburger and try starting life over. She cheered me up.
Motoki Log is the blog of a twentysomething gaikokujin mother of a 3 year old who was born prematurely. I feel like I’m invading her privacy by linking to her, but she’s a very good writer and her son is absolutely adorable. She also has a photo blog.
I’m still fighting back tears after reading her post about the birth of Motoki.
Lately I’ve been feeling like I’m missing my true calling in life: sharing other peoples’ stories with the rest of the world. (Either that or running a business that does house calls for peoples’ home PC problems. I love helping friends tame their computers.)
I like the formula This American Life has for putting shows together. The mix of voiceovers, mood music and honest, spontaneous-sounding interviews is top notch. Everything except the cadence of Ira Glass’s way of speaking. I can’t put my finger on it, but that’s the only aspect of the best public radio show in existence today that I don’t want to emulate. It’s not as if I have to resist the urge to claw at my ears when I hear him talk, but he has such an idiosyncratic, kind of uppity (but not snarky) tone of voice that I know I have to avoid sounding like I’m imitating him. At the same time, I can’t sound like the barbiturate-addled hosts of NPR programs either.
The topic I want to cover is “Living and Working in Japan as a foreigner.” I want to conduct interviews with people on why they decided to come to Japan, how they found work, their work history, whether or not they feel as if they’re succeeding, and what the experts think are the best ways for people to find the job that’s right for them. And I want to keep my own story out if it, because if I don’t it’ll probably end up sounding like I’m using the microphone as my psychoanalyst.
For those of you who have thought about taking a stab at living in Japan for a while or moving here permanently, what do you want to know from those who are already here? What would you like to hear headhunters and recruiters talk about? I’ve got my list of questions, but I’d like to know if ya’ll can think of a few that might not have crossed my mind.
This is going to be my attempt at getting better at audio production. There’s an entire team of producers, assistant producers, writers, sound engineers, editors and researchers who work together to put out every episode of This American Life, and for a long time I’ve been wondering what I can accomplish on my own, even if it ends up being nowhere near as high quality. As long as the final product is interesting and listenable, I’ll try to be happy with it.